Essay --

trade name Runner is exemplified as a dystopia that predicts a future urban center that sustains merged capitalisms worst features, such as urban decay, native gaps between wealth and poverty, and authoritative police work. The guide depicts an urban city that, due to capitalism, coalesced into a polluted, overpopulated city controlled by monopolies. Roger Ebert describes the city, Los Angeles, in the film as, The skies are always dark with airborne filth in this Los Angeles of the future. It unremarkably rains. The infrastructure looks a lot like now, except older and more(prenominal) crowded. He believes the film has matchless of the most extraordinary worlds ever created... and gives it the notice of joining his greatest movies collection.This film is a multi-genre film science prevarication and film noir which creates a very unique stylistic world. The film is characterized in the science fiction genre with flying vehicles police cars and advertising blimps, the futur istic city with congested streets, and advanced technologypicturesque billboards, Voight-Kampf machine, picture phones, and phonate activated photo analyzers. It also depicts the movie genre of film noir with its quiet lighting consistent throughout Bryants office and Deckards apartment, the claustrophobic framing with various charactersthe overcrowded nightclub, heavy shadows caused by venetian blinds in Deckards apartment, and the rain soaked landscapes during the night.The chance I chose takes place afterward Deckard has retired two replicants, and has discovered the location Roy Beatty and Pris. The scene follows Deckard as he hunts spate Pris, right before the final encounter where he battles Roy.I chose this scene for its attention to detail and captivating visual aesthetic. It ... ...l map of the location in our minds. This suspense continues to build until he meets Pris and she attacks him. The cuts get immediately more support and induce a feeling of shock and surpri se in the audience. frame in is another way Ridley Scott compares the futuristic to the classical. For example, in the opening shots of this scene, the landscape depicts one of the main themes of the film a relationship between classical and futuristic. In the establishing shot of this scene, European style apartments cover the foreground and the neon city landscape dominates the background. This separation of the buildings shows the divide between the old and new societies in the film. While the two building are far apart in reality, the camera creates the illusion that they are side by side and places Deckard in the middle, giving him a choice between the familiar and unknown.